Uma das atrizes que mais me fascinou em sua (e minha) juventude foi Nastassja Kinski. Alemã nascida em Berlim, ela chegou ao cinema como a filha do ator Klaus Kinski (icônico nome nos elencos de filmes de arte europeus).
A primeira vez que vi Nastassja Kinski foi em 1978, no excelente TENTAÇÃO PROIBIDA (STAY AS YOU ARE), de Alberto Latuada, com Marcello Mastroianni. Um filmaço. Eu terminei o filme perdidamente apaixonado por ela.
No início da carreira, a moça não errava um papel. Vieram TESS, de Polanski, O FUNDO DO CORAÇÃO, de Coppola, PARIS, TEXAS, de Wenders, CAT PEOPLE, de Schraeder, OS AMANTES DE MARIA, de Konchalovsky. Só grandes filmes.
Lá pela década de 80, a carreira dela iniciou um declínio. Eu gosto muito da comédia INFIELMENTE TUA e do estiloso A LUA NA SARJETA (Beineix era demais), mas já eram alguns degraus abaixo dos primeiros. Logo ela pareceu no terrível REVOLUTION, com Al Pacino e TERMINAL VELOCITY, de Sarafian, dois filmes constrangedores.
Ainda houve um sopro de talento dela em FARAWAY, SO CLOSE, de Wenders, ONE NIGHT STAND, de Mike Figgis, YOUR FRIENDS AND NEIGHBORS, de La Bute e INLAND EMPIRE, do mestre David Lynch.
Ela parou de fazer filmes. Deu saudades.
Agora, aos 63 anos, Nastassja Kinski aparece de volta em títulos meio duvidosos e até em uma animação (CASTLEVANIA: NOCTURNE), na NETFLIX.
Será que vou reencontrar a atriz luminosa de TESS?
One of the actresses who fascinated me most in her (and my) youth was Nastassja Kinski. Born in Germany, she arrived in the cinema as the daughter of actor Klaus Kinski (an iconic name in the casts of European art films).
The first time I saw Nastassja Kinski was in 1978, in the excellent STAY AS YOU ARE, by Alberto Latuada, with Marcello Mastroianni. A wonderful film. I finished the film madly in love with her.
At the beginning of her career, the girl never missed a role. They came TESS, by Polanski, ONE FROM THE HEART, by Coppola, PARIS, TEXAS, by Wenders, CAT PEOPLE, by Schraeder, MARIA’S LOVERS, by Konchalovsky. Only great films.
Around the 80s, her career began to decline. I really like the comedy UNFAITHFULLY YOURS and the stylish A MOON IN THE GUTTER (Beineix was astonishing), but it was already a few steps below the first ones. Soon she appeared in the terrible REVOLUTION, with Al Pacino and TERMINAL VELOCITY, by Sarafian, two embarrassing films.
There was still a breath of her talent in FARAWAY, SO CLOSE, by Wenders, ONE NIGHT STAND, by Mike Figgis, YOUR FRIENDS AND NEIGHBORS, by La Bute and INLAND EMPIRE, by master David Lynch.
She stopped making films. She was missed.
Now, at 63 years old, Nastassja Kinski appears back in somewhat dubious titles and even in an animation (CASTLEVANIA: NOCTURNE), on NETFLIX.
Will I meet the luminous actress from TESS again?
Cinemarcoblog 